Your home for intelligent conversation on the web
The Arts Room Painting Giotto's Madonna
THINQon is a platform for a more intelligent web. It aims to replace the ruling paradigm of the web – that of sharing and gathering information – with a sharing and achieving of understanding. Instead of the Q&A model it offers an experience. A platform for discovery of ideas, people, and yourself.     Continue >
Giotto's Madonna
Some time ago I was walking through the Uffizzi, past panels and panels of marvelous medieval images -- images without gravity, almost without physicality (though, not to forget, unreal need not mean untrue). So it was a great surprise to come into the room with Giotto's huge Madonna and feel the presence of a body beneath those folds; the drape of the garment around her knees, the space of her lap, the slight shift of her weight to account for holding the baby -- it's almost palpable, and there's something momentous in it. Standing before her, one is tempted to say that the Renaissance itself begins here: with the discovery (after more than a thousand years of Pauline influence) of the physicality of the female body.

For centuries, for rooms upon rooms, one has seen madonnas floating, babies proportioned like adults, saints twisted in agony, and yet the moment where reality enters -- the moment in this museum where one feels that someone suddenly looked in a completely different way -- is with her. And then, of course, everything changes.
Join the Community
Full Name:
Your Email:
New Password:
I Am:
By registering at THINQon.com, you agree to our Terms of Service and Privacy Policy.
Discussion info
Latest Post: April 29, 2010 at 4:27 AM
Number of posts: 1
People participating

  
Searching
No results found.